If you haven’t watched Seth Rogen and Evan Goldberg’s ‘The Interview’ yet, either because you’re too cheap to spend $6 to rent it online, or you were worried North Korean hackers would catch you buying it and share your private emails slagging your boss with the world (I’m sorry Mike! When I called you “a giant goober,” I meant that in an affectionate way, like Goobers candy! Which everyone loves!) you are in luck. As part of their quarterly letter to shareholders, Netflix announced that they will “exclusively” offer the comedy to its U.S. and Canadian customers starting this Saturday, January 24. Sorry Netflix Netherlands! You’re out of luck for now.
I wonder if Chris Kyle was a Clint Eastwood fan. ‘American Sniper’’s marketing materials describe Kyle as “the most lethal sniper in U.S. history,” but before his military career, Kyle was a cowboy. He wore a hat and boots, and even carried a six-shooter. Eventually, he gave up the cowboy life and decided to serve his country. He was a gifted marksman and trained to be a Navy SEAL. But even as a soldier, Kyle never lost that cowboy swagger—or that sense that someone has to venture out into the frontier and protect the American way of life. That’s what Kyle learned from his father—who raised him to be a “sheepdog,” a watchful protector in a world of sheep and wolves—and from watching violent Westerns like the ones that made Eastwood a major Hollywood star.
“Nothing is over!” These are the words of Col. John J Rambo, the hero of ‘First Blood’ (better known as ‘Rambo’) and then ‘Rambo: First Blood Part II’ and then ‘Rambo III’ (the only one people call by its actual title and then ‘Rambo’ (better known as ‘Old Rambo’). After what basically amounts to a movie-long chase, ‘First Blood’ concludes with a heartfelt speech from star Sylvester Stallone, explaining how nothing (meaning the Vietnam War) is over for him; that his mind is too scarred from his brutal deeds and by the cruel treatment he’s received on the homefront. It’s a powerful (if occasionally incomprehensible) scene.
In the fall of 2013, APCO Worldside surveyed 70,000 people about the world’s biggest brands. They measured their responses in eight different ways—“understanding, approachability, relevance, admiration, curiosity, identification, empowerment, and pride.” The number one most loved company out of 600 choices: Disney.
I know one reaction I’ve had to the (allegedly) North Korean hackers and their attack on Sony and their movie ‘The Interview’ is “Why now?” Seth Rogen and Evan Goldberg are not the first American filmmakers to make fun of North Korea, or even its real-life leaders. ‘Team America: World Police,’ for example, featured a marionette-version of late North Korean dictator Kim Jong-il, who wants to destroy Western Civilization (but is also very lonely); the 2012 ‘Red Dawn’ remake actually changed its Asian invaders from Chinese to North Koreans in post-production because at the time that seemed like the more politically and financially safe choice. That’s not going to happen again anytime soon.
Having gone on an unexpected journey and endured the desolation of Smaug, Peter Jackson’s bloated adaptation of J.R.R. Tolkien’s ‘The Hobbit’ finally comes to ‘The Battle of the Five Armies,’ which is less of a climax to this trilogy than a distended epilogue. After spending two movies and 330 minutes building up the dragon Smaug (voiced by Benedict Cumberbatch) as the ultimate antagonist, he’s eliminated from the story completely in the first ten minutes. He’s literally gone before the title appears onscreen.
This is a weird instance of art imitating life imitating art. Universal Studios Orlando’s famous old ‘Earthquake’ ride was recently updated and replaced with a similar attraction called ‘Disaster!’ where guests get to experience movie special effects, and become extras in the “ultimate” disaster movie called ‘Mutha Nature,’ which stars none other than Dwayne ‘The Rock’ Johnson. Next summer, Johnson will be seen in ‘San Andreas,’ which is basically ‘Mutha Nature’ brought to life.
This is a fun little video curio to brighten your Monday. Tucked away in a random corner of YouTube for the last five years has been a clip titled ‘Paramount Today ... Where the Future Goes On.’ The description says it’s presumably something that was made by the studio “for Hollywood insiders [and] investors,” and it details the company’s upcoming slate for 1985 and the rest of the decade. And it’s a very entertaining, behind-the-scenes look at the movie hype machine some 30 years ago.
Every year, Little White Lies Editor-at-Large David Ehrlich celebrates the best movies with a video countdown supercut. The newly released 2014 edition is typically excellent, and covers Ehrlich’s picks for the top 25 films of the calendar year (even if I might quibble with some of his individual choices coughsomethinginmythroatnotreallyIjustdon’tlike‘Godzilla’cough).
James Cameron doesn’t lack for confidence. And why should he? This is the guy who made the biggest movie in the history of the universe, and then he topped himself and made the biggest movie in the history of the universe a second time. If there is anything in the world of movies James Cameron can’t do, he hasn’t found it yet.
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