The last Terminator Genisys trailer was so convoluted and confusing that ScreenCrush editor Mike Sampson and I spent an entire piece trying to figure out the plot of the film. (We were not successful, either.) At the very least, the new Genisys spot makes things a bit clearer. Right off the bat they also reveal one significant plot twist: John Connor (Jason Clarke) has been mechanized by Skynet and the evil computers of the future, and sent back in time to kill his mother Sarah (Emilia Clarke). Also, I just realized that Sarah and John Connor are played in this film by two actors with the same last name. Which, whoa. And, of course, there’s also Arnold Schwarzenegger back as the T-800, but this time he’s an older model who’s Sarah Connor’s protector. How and why remains to be seen, but hey, that’s why you’ve got to buy a ticket. To figure out how a robot can age and learn to a be a good guy who smiles awkwardly. (Very awkwardly.)
I don’t have any tattoos. I have trouble committing to a pair of shoes in the morning; committing to something that would stay on my body for the rest of my life would be impossible. Maybe that’s why I’m in awe of movie tattoos, and the lengths some folks go to to show their love of film. Forever! You’ve got to be a pretty big fan of a movie to plaster it across your chest for eternity. What if your tastes change? When I was 14, I was really into Police Academy. Can you imagine if 20 years later my wife woke up every morning to this etched into my back?
Netflix has come a long way from those little red envelopes full of DVDs. Today the movies-by-mail rental company is a full-fledged movie and television studio with an impressive slate of original films, documentaries, mini-series, and cartoons. And they keep adding new content constantly; a week after Season 3 of the acclaimed series House of Cards, they unveiled Unbreakable Kimmy Schmidt from Tina Fey; two weeks later they debuted Bloodline starring Friday Night Lights’s Kyle Chandler.
Robert Downey Jr., presenting a bionic Iron Man arm to an exceedingly well-dressed 7-year-old fan named Alex, who was born with a partially developed right arm. The arm wasn’t built by Tony Stark, but rather by a college student named Albert Manero who makes low-cost 3D-printed bionic limbs for children. But Downey received the honor and pleasure of presenting him with his new arm, and comparing it to one of his own Iron Man suits.
The news out of Disney’s shareholder meeting keeps on coming. This one isn’t much of a surprise: Disney is making Frozen 2. In a related story, the sky is blue and water is wet (until a princess with freezing powers comes along and turns it into ice).
The name “Disney” brings to mind images of fair princesses, charming princes, magical fairy tales, and simple happily ever afters. In recent years, though, Disney has begun rethinking their classic properties, and releasing more thematically complex versions of their famous films. Sleeping Beauty became Maleficent, which turned a wicked witch into a sympathetic anti-hero; a whole mess of fairy tales turned into Into the Woods, where happily ever after preceded a whole bunch of death and tragedy. The ranks of Disney Princesses grew to include women like Merida, the bow-slinging heroine of Brave, and Anna and Else from Frozen, who rescued each other from an prince, rather than the other way around. Every value and concept that Disney had established and reinforced through decades of repetition was seemingly up for reconsideration and revision.
With their new Cinderella just days away, Disney is continuing its streak of turning its animated classics into live-action features with the news, via the Wall Street Journal, that Dumbo is ready to make the transition from animated elephant to ... well, still-animated elephant surrounded by live-action actors. If that idea doesn’t get your ears flapping, maybe this will: the Journal says Tim Burton will be the man who’ll direct the new Dumbo.
It’s been a while since we had a really good disaster movie. Roland Emmerich was the last guy to really push the genre forward, but after freezing and then destroying the entire planet (in The Day After Tomorrow and 2012, respectively) there’s not really a lot of ground left to cover (and demolish). Next summer’s San Andreas will attempt to revive the disaster movie by juicing up an old favorite: the earthquake. This version, directed by Journey 2: The Mysterious Island’s Brad Peyton, features a tremor so huge it encompasses all of California from Los Angeles to San Francisco. It’s so big, Paul Giamatti gravely intones, it can even be felt on the East Coast. That’s a big quake.
After years of complaining from people who didn’t have or couldn’t afford cable (or whose parents refused to give them their HBO Go password), HBO is finally delivering a standalone streaming service, HBO Now. Today, the company announced some of its availability details, including pricing and when and where it will be available.
We have very sad news to report from The New York Times: Leonard Nimoy, Star Trek’s Mr. Spock for almost 50 years, has died. Nimoy’s wife, Susan Bay Nimoy, told the Times the cause of death was “end-stage chronic obstructive pulmonary disease.” The beloved actor and director was 83 years old.
How many times in your life have you snuck up on someone and scared them? Three, maybe four times? The Lazarus Effect is the kind of horror movie where people do that constantly. It’s basically their standard greeting; instead of “Hello!” they jump on people from behind, sometimes while wearing pig masks. It doesn’t make much sense, but they’re not doing it because it’s logical — they’re doing it because this is a bargain basement horror film and you take the scares wherever you can get them.
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